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13 UMMA Objects
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John Whorf
Venice
1903 – 1954
Bequest of Margaret Watson Parker
1954/1.204
This work is an etching showing a river and a cathedral on the other side. The river runs through the main portion of the work, with a paved river bank along the right hand side with several fishermen on it. There are two boats along the right side of the river and a few smaller boats in the background. In the distance is a bridge over the river and on the opposite bank there is a large cathedral with two towers and some trees behind it. 
Wilfred Byron Shaw
The Heart of Paris
1916 – 1926
Gift of Wilfred B. Shaw
1953/1.33

Camille-Arthur Fonce
Untitled [Canal Boats]
1867 – 1967
1997/1.269
In the right foreground, cutting across diagonally, is a pier with figures moving around. At the pier are some ships, and in the middle ground is a strip of water and a row of darkly shadowed buildings. In the background are some faint towers that jut into the sky.
Auguste Louis Lepère (French (culture or style))
View of Amsterdam
1849 – 1918
Gift of Mr. James Shearer II
1965/2.63
A view of a city along the edge of water sweeps from the foreground towards the right in the distance. Along quays, bridges and promenades can be seen groupoings of people walking and in conversation. Boats populate the water's edge: smaller boats in the foreground, larger multi-masted ships in the distance.
James Abbott McNeill Whistler (American (North American))
The Riva, One of the 'Twelve Etchings,' or the 'First Venice Set'
1879 – 1880
Bequest of Margaret Watson Parker
1955/1.125
This photograph depicts a view of a marble covered bridge spanning the width of a city canal.  Along the embankments are a series of gondolas and a few seated men.
Carlo Ponti (Italian (culture or style))
Rilato Bridge, Venice
1870 – 1880
Gift of Mr. and Mrs. W. Howard Bond
1987/1.343
A view of a city along the edge of water sweeps from the foreground towards the right in the distance. Along quays, bridges, and promenades can be seen groupings of people walking and in conversation. Boats populate the water's edge: smaller boats in the foreground, larger multi-masted ships in the distance.
James Abbott McNeill Whistler (American (North American))
The Riva, One of the 'Twelve Etchings,' or the 'First Venice Set'
1879 – 1880
Bequest of Margaret Watson Parker
1954/1.378
A view of a city along the edge of water sweeps from the foreground towards the right in the distance. Along quays, bridges and promenades can be seen groupoings of people walking and in conversation. Boats populate the water's edge: smaller boats in the foreground, larger multi-masted ships in the distance.
James Abbott McNeill Whistler (American (North American))
The Riva, No. 2, One of the 'Twenty-six Etchings,' or the 'Second Venice Set'
1879 – 1880
Bequest of Margaret Watson Parker
1954/1.389
A sweeping panorama shows a city and shipping along the water. The left side is more minutely described as large three-story buildings hug the water's edge. Just to the right of center is a large building with several domes. Several small boats and gondolas are visible to the left of center. A cloudy and blustery sky occupies the top of the image.
James Abbott McNeill Whistler (American (North American))
Long Venice, One of the 'Twenty-six Etchings,' or the 'Second Venice Set'
1879 – 1880
Bequest of Margaret Watson Parker
1954/1.391
A snow scene of the canal. Snow covers the house roofs, the boat shelters, and the trees. Three travelers in blue robes are walking in the snow, two of them are carrying umbrellas.
Utagawa Hiroshige (Japanese (culture or style))
Edo Meisho: Ochanomizu
1848 – 1858
Bequest of Margaret Watson Parker
1948/1.142
A large, two-story arched passageway leads from the foreground to a distant street. Viewed from the water of the canal that runs across the bottom of the print, the composition concentrates on the dark barrel vault of the passage, the boats that occupy the foreground between the water and the walls of the building, and windows and balconies that animate the wall on either side of the archway.
James Abbott McNeill Whistler (American (North American))
San Biagio, One of the 'Twenty-six Etchings' or the 'Second Venice Set'
1880
Bequest of Margaret Watson Parker
1954/1.385
This photograph depicts a wide, ariel view of a city situated on thin strips of land with wide canals running between them. On the central island is a large white church and a wharf with a docked fleet of boats.
Carlo Ponti (Italian (culture or style))
Panorama del Campanile di S. Marco verso S. Maria della Salute (Sud-Ouest)
1860 – 1870
Gift of Mr. and Mrs. Wm. B. Becker
2012/2.172
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